The city is a social and human experience. It is this dimension that Alain Bublex, Frédéric Delangle, and Chou Ching-Hui each reveal in their own way. To go beyond the surface of what is visible and expose the underlying layers of cities, their images hybridize and augmented reality. With his Plug-In City project, Alain Bublex reinterprets the 1964 proposal by English architect Peter Cook of the Archigram group. Cook imagined a form of urban design made up of numerous interchangeable cells that could be connected to meet the needs of inhabitants. Playing with contrasts, Bublex applies this concept to the historic center of Paris, resulting in a striking visual provocation. Frédéric Delangle’s works also challenge the representation of the French capital. The photographer submits his images to the brushes of Indian, Colombian, and Taiwanese artists, allowing them to colonize his photographs and thus merge urban experiences. He reveals the many facets of a city that has always been a convergence point for global migrations. Chou Ching-Hui highlights another movement—the constant flow of traffic that permeates the city. His images are taken from surveillance cameras capturing traffic violations. Accompanying these captures, the artist adds short texts that open a crack into the moods of the city. In doing so, he subverts this portrait of a fluid, universal, and anonymous city by inserting a fracture in space and time.