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2021-12-29 ~ 2022-04-05
Taipei National Center of Photography and Images, Taipei. Galleries 201, 202, 203.
Exhibition Overview

Photography is the vehicle for lights and shadows. It is also a unique form of art that materializes flickers of an age on paper. Spurred by its graphic nature, it seizes decisive moments in a twinkling, while allowing for the expression of individual point of view. Through the opening and closing of the photographer's shutter, defining images of an age are taken down. Imbued with meaning, these images cross the past and the present and constitute a rich vein of influences over the future.

 



As 2022 marks the centenary of the birth of three Taiwanese photographers, Lee Ming-tiao, Dennis K. Chin, and Lin Chuan-tsu, National Center of Photography and Images dedicates Crystalized Times: 2022 Centenary Memorial Exhibition of Photographers of Taiwan — Lee Ming-tiao, Dennis K. Chin, and Lin Chuan-tsu to these precursors of Taiwanese photography born in 1922. The exhibition explores their works in a number of themes vital to their art. Having encountered photography under different circumstances, they developed distinct perspectives and aesthetics. Tracing back the images they created, we can glean an abundance of clues about our culture from their unflagging undertaking for the benefit of Taiwanese photography which is over a hundred years old. This is also a gateway to Taiwanese photographers' passionate pursuit of images.

 



In this exhibition, the works of Lee, Chin, and Lin are carefully selected from the collection of the NCPI and accompanied by archival images. Lee Ming-tiao's works feature post-war suburbs of Taipei, Tamsui River, and the bridges in Taipei. Photos of human figures Lee took during the relatively conservative 1950s are also on display. His manipulation of lights endows the female body with the visual appeal of classical paintings. Dennis K. Chin's early works of photojournalism testify to important moments of Taiwanese history.

 



After retirement, he travelled widely and took fascinating pictures around the world. The unique composition and robust colors in Chin's works demonstrate the photographer's aptitude to capture scenes and his creative energy. Lin Chuan-tsu's visual sensitivity is inscribed in the riveting works of everyday life in Taichung. Lin has also taken pictures of indigenous people during his numerous visits to their tribes. The series not only offers a way to know more about indigenous cultures for Taiwanese people but also serves as a precious visual archive. In addition, Lin's pictures of rural scenery experiment with techniques in color photography, characterizing his stature as one of the pioneers in color photo printing in Taiwan. This memorial exhibition not only exhibits the physical works of Lee, Chin, and Lin, in-depth explanations of their works are also available on the website of the NCPI, making it easier for all aficionados of photography to find out more about the artistic visions and the historical context of Lee, Chin, and Lin. rough seeing the show in person and online, we hope to bring our audience closer to these enthusiastic creative lives and their enduring influence over Taiwanese photography.


  • Dennis K. Chin: An Initiate’s Flair

    Dennis K. Chin: An Initiate’s Flair

    Dennis K. Chin: An Initiate’s Flair

    This section presents the vintage prints of Chin’s award-wining works sent toThe Young Compagnon. These photos dexterously capture the instant harmony between landscape objects and their spatio-temporal surroundings. The painterly undertone echoes with the style and features of pictorialist photography in China during the 1930s.

  • Dennis K. Chin: Worldly Faces

    Dennis K. Chin: Worldly Faces

    Dennis K. Chin: Worldly Faces

    Chin spent his retirement living in the United States. When travelling, Chin used digital cameras to take pictures, whose theme and style lightened up significantly. Chin’s visual attention is drawn to depicting the lives of people from place to place. The pictures vividly represent faces of everyday life of people living in different places of the world.

  • Dennis K. Chin: Pictorial Landscape

    Dennis K. Chin: Pictorial Landscape

    Dennis K. Chin: Pictorial Landscape

    When Chin was living and travelling abroad, his camera took in majestic mountains, boundless plains, versatile seas, and bushy hedges in the countryside with painterly sensitivity. To explore the interplay between lights and shadows to the full and unveil the hidden visual beauty of a scene, he put a special emphasis on post-processing, image cropping, and color correction.

  • Dennis K. Chin: The Beauty of Space and Lines

    Dennis K. Chin: The Beauty of Space and Lines

    Dennis K. Chin: The Beauty of Space and Lines

    Distilling visual elements such as color, chiaroscuro, and lines from a vast landscape is Chin’s forte. His photographs are characterized by a masterful configuration of these elements framed in interesting compositions, presenting the visual aesthetics with an acute sense of space.

  • Dennis K. Chin: Towards Abstraction

    Dennis K. Chin: Towards Abstraction

    Dennis K. Chin: Towards Abstraction

    Chin’s late works attempt to capture abstract patterns in landscape objects through close-up or unusual angles. His approach to the unique texture of photographic objects such as enchanting swirls, spiky cracks, and delicate glassware in still life bespeaks an increasingly playful taste galvanized by the photographer’s involvement in advertisement business.

  • Lee Ming-tiao: Waterfront Scenery

    Lee Ming-tiao: Waterfront Scenery

    Lee Ming-tiao: Waterfront Scenery

    After the war, Lee settled in Taipei and opened the Chung-Mei Photographic Supplies. With his lens to capture the scenery of the suburbs of Taipei, he excelled at presenting daily scenes and objects in a harmonious take. With his frequent visits, images of the Tamsui River put together simple and tranquil riverside scenery, transforming the quiet moments of waterfronts on the photopapers.

  • Lee Ming-tiao: Rural Silhouettes

    Lee Ming-tiao: Rural Silhouettes

    Lee Ming-tiao: Rural Silhouettes

    Through unique compositions capturing the scenes of the streets in the countryside, Lee’s works present rich layers of lights and shadows. The fleeting expressions of pedestrians and the scenes of children playing around form his signature image texture while silhouettes and backlighting are regular elements in his works.

  • Lee Ming-tiao: Bridges of Taipei

    Lee Ming-tiao: Bridges of Taipei

    Lee Ming-tiao: Bridges of Taipei

    The year 1946 to 1947 was the most productive period of Lee Ming-tiao. He travelled all over Taipei, where many bridges became the subject matter of his photos. Lee was not obsessed with capturing the visual effects of the hugeness of the bridge structures. When he photographed the bridge, he often only captured a partial element of the bridge, forming a special beauty of lines and structures.

  • Lee Ming-tiao: Female Figures

    Lee Ming-tiao: Female Figures

    Lee Ming-tiao: Female Figures

    Many works in Lee Ming-tiao’s oeuvre feature female figures and human bodies. Nude was a bold subject of photography in the relatively conservative post-war Taiwan. Lee’s works of female figures fully demonstrate the soft lines and gentle posture of the body, echoing the elegant texture of the female body emphasized in classical nude paintings.

  • Lin Chuan-tsu: Daily Scenes

    Lin Chuan-tsu: Daily Scenes

    Lin Chuan-tsu: Daily Scenes

    Lin’s lens often thematizes the busy and leisure time in the countryside. Farmers sweating and farming, as well as children grazing livestock, are themes he often point his lens to. His composition also depicts daily leisure and fun of life, youthful men and women in the park casually posing for photos, children playing together, and the idyllic scene of tourists on the shore of a lake in the park. These regular subjects compose the casual mood of Lin’s photographic works.

  • Lin Chuan-tsu: Moments in Flight

    Lin Chuan-tsu: Moments in Flight

    Lin Chuan-tsu: Moments in Flight

    From the 1940s to the 1960s, the paradigm of photography in Taiwan was mostly in aesthetic style. Natural scenery such as flowers and birds were essential themes for many photographers to observe and photograph. The works in this section showcase the various moments of egrets spreading their wings captured by Lin. These photographs feature the moment before the egrets leave the ground and the birds flying in the sky. The photographer skillfully presents a visual balance between movement and stillness.

  • Lin Chuan-tsu: Indigenous Figures

    Lin Chuan-tsu: Indigenous Figures

    Lin Chuan-tsu: Indigenous Figures

    In the 1950s, apart from Taichung’s rural scenes and changes of the cityscape, Lin also went to Wushe, Lanyu and other places to photograph the rituals, ethic culture, and the daily lives of the indigenous peoples. Lin not only portrayed and recorded the indigenous culture through images, but also uniquely captures the subtlety embedded in the details of meditation, repose, and toil in their lives.

  • Lin Chuan-tsu: Documentary of Times

    Lin Chuan-tsu: Documentary of Times

    Lin Chuan-tsu: Documentary of Times

    Lin had a close connection with photography. In addition to taking over the family business of the photo studio in the 1950s, he also worked as a photojournalist for more than 20 years, forMinsheng Dailyof Taichung and thenCentral Daily News. His photographic expressions not only recorded social affairs and events. Much more than documentary images, his works also crystallize visual beauty and spice through special arrangements of lights and shadows and composition.

  • Lin Chuan-tsu: Color Photography

    Lin Chuan-tsu: Color Photography

    Lin Chuan-tsu: Color Photography

    Lin is the first photographer to introduce the color processing techniques to Taiwan. He was curious about the various emerging technologies in photography. He learned foreign languages by himself to acquire the latest developing techniques, purchased newly-invented processing liquids to experiment with the processing principles of color photos. The color photos in this section were created in the 1970s, demonstrating Lin’s mature skills of color control and composition.