In his series of cityscapes, Juškelis focuses on the shapes of individual elements, the effects of reflections and light, and experiments with colors and photographic techniques in order to create a new photographic reality, an intermediate stop between reality and fiction. This dualism is also evident in one of Juškelis’ most famous series, Humans and Mannequins (1987–1992), which analyses the relationship between humans and objects, the reality of life and its surreal imitation.
Collection of the Lithuanian National Museum of Art